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Photo: Mike Cameron Yamaha's Motif range has proved to be both popular and enduring - so is the latest incarnation, the Rack XS, your cue to join the Motif party? The chances of seeing one of Yamaha's Motif instruments amongst a band's line-up are fairly high these days, which can be taken as an indication of their deserved popularity. The range has moved on apace since the release of the first generation of Motif keyboard workstations in 2001. Since then we've seen the Motif Rack, Motif ES keyboards, Motif Rack ES, MO6 and MO8 keyboards and, most recently, the Motif XS keyboards. It took a year or more for the first two generations of Motif keyboards to be followed by their rack-mounted equivalents, and the new Motif Rack XS is no exception — the XS keyboards from which it is derived have been around for almost exactly one year. It's a steady product history, and one that has seen a number of revisions along the way. The arrival of the XS keyboards heralded some significant changes, particularly to the Motif's synthesis engine itself.
Firstly, the instruments were kitted out with a new and more powerful SWP51 tone generator, as well as a newly developed wave ROM. Prior to the XS range, all Motifs used the same basic AWM2 engine: a Motif 'voice' was constructed of up to four layered Elements, each one essentially an independent synth using sampled waveforms as 'oscillators' — an architecture typically found in many other 'Sample & Synthesis' instruments.
However, the XS raised the bar by doubling the number of voice Elements to eight, and implemented a new feature called XA, or Expanded Articulation. This takes advantage of the four additional Elements to give the player access to alternative instrumental articulations, not unlike the key-switchable layers offered by software samplers, allowing for greater expression and realism. Milestone Dlk Keygen Generator here. Alva Noto Ryuichi Sakamoto Rarest.
The onboard effects also received a make-over, which included the addition of several modelled 'vintage' effects, while the number of preset arpeggiator patterns increased to a whopping 6633. The XS keyboards also provide the means to create your own arpeggios. At this point, the XS keyboards and Rack XS part company, as the keyboards go on to include further features not included in this rack version.
The most obvious missing feature is any form of sampling or importing of waveforms — indeed, no method of sound expansion is possible. Like the XS keyboards, the Rack XS offers no compatibility with Yamaha's range of PLG expansion boards, relying on the internal wave ROM to provide all of its raw material.
There is no onboard sequencer, either — but this comes as no surprise on a module which would almost certainly be used with some sort of DAW sequencing software. So while the Rack XS could not be described as 'the Motif XS in a box' in a totally literal sense, the most significant aspects of the XS — its synth engine, effects and preset arpeggios — are all here. (Note that since the Rack XS has no audio inputs, the Vocoder Insert effect from the XS keyboards is not included, for obvious reasons.). Like the Motifs before it, the Rack XS continues to support the Yamaha/Steinberg Studio Connections concept.