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In his ’80s run on “Daredevil,” Miller pretty much covered every vital aspect of the street-level hero, including his origins. In 1993, Miller revisited the character’s early days in “The Man Without Fear.” This series was essentially “Daredevil: Year One” — a very exciting prospect for the many fans who fell in love with “Batman: Year One” — and Miller, along with artist John Romita Jr., delivered.
Ecomstation 2.2 Iso Download. While not as historically significant as his “Batman” work, “Man Without Fear” stands as a testament to Miller’s storytelling ability and can be considered the last example of “classic” Miller, as, after this series, his last long form work at Marvel, he focused on a more over the top, bombastic style of storytelling. In the pages of “Daredevil,” Miller perfected ninjas; in “Ronin,” Miller went to the next level as he took all the martial arts tropes he mastered in mainstream comics and utilized them in a stunning, dystopian future. A reading and visual experience like none before it, “Ronin” was inspired by the research Miller did into martial arts films for his work on “Daredevil,” and is the first project where the influence of manga was evident in his art style. The tale of a nameless samurai and his archenemies, trapped in a magic sword for eight centuries, “Ronin” follows what happens once they awake in a future only Miller could imagine. The book combines classic martial arts action and archetypes with a bleak sci-fi future in a genre mash-up that was way ahead of its time.
In 1983, Miller was between runs on “Daredevil” and “Batman,” two characters he would become synonymous with for decades, but “Ronin” was a harbinger of the Miller that would be an independent comics staple after he left the world of mainstream heroes behind. It stands as an experimental piece of comic book history where Miller challenged himself to deliver the book fans had no idea they wanted, a hardboiled, dirty, sci-fi, samurai epic that was part Philip K. Dick and part Akira Kurosawa.
“300” (Dark Horse Comics, 1998) with Lynn Varley Miller did ninjas. He did superheroes. He did more ninjas. He did dystopian futures, and he did noir, but nobody could have expected Miller’s follow up to” Sin City.” An exaggerated take on the Battle of Thermopylae, “300” was like nothing comic fans had seen before. Part historical fiction, part epic fantasy (dinosaurs and ninjas were not at the actual Battle of Thermopylae, at least as far as we know), part Robert E. Howard-inspired sword and sandal drama and part military fiction, “300” was a character-driven tale with a body count to shocked even the most jaded gore maven. The popular miniseries brought Miller’s brand of unflinching storytelling from hardened, modern city streets to the world of ancient Sparta.